Oil on tracking paper on acrylic panel | 220 × 140 cm
Saint-Germain-Des-Prés

Nina appears twice— 
one turning inward, the other opening toward the gaze. 

Painted in two brief moments, 
the body does not repeat, but shifts— 
as if memory had gently altered its own form. 

Set within a pale, swirling field, 
the figures seem to hover between presence and dissolution. 
They no longer rest on ground, 
but in a space that breathes and withdraws at once. 

What remains is not the pose, 
but a quiet oscillation— 
a body felt, then slipping away.